It's quite simple but is one of my personal favourite posters to date. I'm feeling the process of hindsight very much- "what if I had made the rebrand more like this" "what if I had done something brighter for the DMB?" but I can only move forward. The client has been happy with all of the illustrations I have done and that is the most important bit. They all largely fit together as a series, which is also important, though I nitpick that too much and am always thinking about past work that cannot be changed.
some of the sketches I sent off
With these faces and figures I am starting to establish a visual language of symbols to use for the year's series. I don't want to be too reliant, but also want to create something with consistency. I also do not plan to use colours that change or clash too wildly from one image to the next, but regardless of everything must make something good for each one. Sometimes that means taking risks, and being different to the other posters. Mostly I think my visual style is quite recognisable to the brand, but wouldn't want to get too big in the boots about that.
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